Today I will continue to introduce some very stylish films. Some of them will be slightly kinkier than the ones in my Personal Favorites (okay, maybe not The Dreamers) but equally amazing.
And God Created Woman (1956)
The 60s was not complete without Brigitte Bardot. She was so uninhibited, free, innocent yet insouciantly provocative all at the same time. She shook up the post-war conformist France with body-conscious garments — button-front shirtdresses, boatneck wiggle dresses and simple white polo necks paired with hip-hugging pencil skirts, exemplifying the sexy looks that left just enough to the imagination.
Belle de Jour (1967)
Yves Saint Laurent’s designs were the epitome of ‘classic modernity’. He successfully captured the haute bourgeois chic by designing some amazing pieces — tailored sheaths, a safari dress, a vinyl trench, and sumptuous rounded coats for the stunning Catherine Deneuve. Although Deneuve was never my favorite French actress, she was the embodiment of quintessential femininity and exquisite sophistication. Instead of showing the free spirit and romance of the archetypal French woman, she always played stern and controlled roles with an aura of mystery. Nonetheless, the film is a must-see for fashion addicts.
9 and 1/2 Weeks (1986)
This film is the 80s version of Fifty Shades of Grey but 10 times better. Basinger was the ultimate embodiment of 80s’ cosmopolitan fashion and minimalist simplicity. The tousled waves, red-stained lips, darkly lined and smudged eyes — or what I like to call, the morning-after look — is all the rage now. And she rocked the modern working girl ensembles as well as the slouch combo of a banker’s button-down with EG Smith Boot socks — alongside a devilishly attractive Mickey Rourke.
In the Mood for Love (2000)
Wong Kar-wai has made an abundance of highly stylized films (2046, My Blueberry Nights, etc.) and is one of the very few reasons why I still hold hope for Chinese filmmakers (artistically speaking, not commercially for obvious reasons). Regarded as a milestone in Chinese film history, this movie was a major stylistic influence on the past decade of cinema. In this melancholy tale of love and loneliness, Maggie Cheung impeccably showcased the grace and sensuality of qipao (also known as cheongsam) with her slender figure and fragile beauty, creating a nostalgic ambiance and an aesthetically pleasing viewing experience. The opalescent silks and floral prints subtly juxtapose the quiet passion embedded between the characters.
Mulholland Dr. (2001)
David Lynch is a bonafide genius because this was the film that changed the course of film history and the way I watch movies. Hell, the first thing I did after getting my Nissan was going to Mulholland Dr. I practically risked my life by driving on the meandering road and that was how much I loved this movie. The cinematography, the score, the underlying message, the evocative acting, and of course the costumes complemented one another immaculately, making it one of the cinematic masterpieces of the 21st century. Dark locks, crimson lips, white button-down, halter dresses, and Laura Harring’s cheekbones represented the true essence of Hollywood glamour.
A Single Man (2009)
Two words to sum up the film – Tom Ford. He translated his immaculate taste beautifully to cinema with fastidious attention to detail and filled the poignant moments with an exquisite style and elegance. We see throughout the film the white oxford shirts – the very image of quality and refinement, classic thick-framed glasses – hallmark of American hipsters, corduroy jackets – a nice boho touch of the 60s, and of course, Italian style custom-tailored suits. In short, the film is an aesthetic perfection.
Some of the films have been proven a bit too much for some. So brace yourselves. 😉